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It's difficult to fault this nifty little plug-in, and at €59, it's well-priced. The Transient Shaper can also be used to add punch to flat-sounding basslines. The release shapes are a little more predictable, with the fast option producing a pumping, compressor-like effect with room mics on a drum kit. Conversely, the slower attack produces a fatter, more noticeable effect. The new attack shapes in v2 produce unexpected results - on snares, the fast option is so sharp that the effect is less audible. With a slow release, the sound is akin to that of heavy compression, while with short release times, you head into gating territory. The range of control is impressive, but it's interesting how modifying sound in this way can also have a dramatic effect on the frequency content. The Gain knob helps to keep things in check, as increasing the Attack, Release or Drive will naturally raise the perceived volume level. Firstly, the transients are internally limited so that they don't get completely out of control, and secondly, the release phase is program-dependent, which results in smoother behaviour with fast settings.įinally, as mentioned above, Transient Shaper 2 has three switchable attack and release shapes, giving you greater control. Although TS2 owes much to SPL's original concept, in practice there are a few differences.
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